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10 Must Hear Blues Rock Instrumentals

Blues rock has a rich history, blending the soulful expression of the blues with the raw power of rock. While heartfelt vocals often take on importance in blues rock music, many instrumental tracks have showcased the virtuosity and emotion that define the genre. Here are 10 must hear blues rock instrumentals that every fan should experience.

Jeff Beck – “Cause We’ve Ended as Lovers”

“Cause We’ve Ended as Lovers” from the Blow by Blow album is a heartfelt tribute to the emotional depth of the blues. Beck’s expressive bends and soulful vibrato make this instrumental a moving experience. Written by Stevie Wonder and originally recorded by Syreeta Wright, Beck’s interpretation transforms the song into an instrumental masterpiece. The delicate phrasing and dynamic shifts highlight Beck’s ability to convey profound emotion through his guitar, making this track a standout in his illustrious career.

Jeff Healey Band – “Hideaway”

Jeff Healey’s cover of Freddie King’s “Hideaway” became a signature instrumental for the band. Released in 1988 on See The Light, this rendition showcases Healey’s unique guitar style, characterized by his unconventional method of holding the instrument flat on his lap. “Hideaway” highlights Healey’s virtuosic playing and soulful expression. The track’s dynamic energy and raw intensity draw listeners into Healey’s world of blues rock mastery. “Hideaway” showcases Healey’s ability to breathe new life into classic blues standards while paying homage to the genre’s rich heritage.

Philip Sayce – “Alchemy”

Philip Sayce’s “Alchemy” is a tour de force of modern blues rock guitar. The song appears on Sayce’s Peace Machine album and remains one of the most popular songs Sayce has ever written. Known for his soulful playing and guitar brilliance, Sayce delivers a captivating performance. The track exemplifies Sayce’s ability to merge traditional blues with contemporary rock elements and his tone is absolutely killer.

The Allman Brothers Band – “Jessica”

“Jessica,” composed by Dickey Betts, is an uplifting instrumental that showcases the dual guitar harmonies and melodic sensibilities of The Allman Brothers Band. This track, with its blend of Southern rock and blues, remains a beloved staple in the genre. Released in 1973 on the album Brothers and Sisters, “Jessica” features the band’s signature improvisational style and intricate guitar work. The song’s joyful, flowing melody, inspired by Betts’ daughter, captures a sense of freedom and exploration. “Jessica” has not only become an anthem for the band but also a symbol of the enduring spirit of Southern rock.

Stevie Ray Vaughan and Double Trouble – “Scuttle Buttin'”

Stevie Ray Vaughan’s “Scuttle Buttin'” is a blistering display of technical prowess and blues spirit. This high-octane instrumental from the album Couldn’t Stand the Weather highlights Vaughan’s incredible speed and precision, cementing his place as a blues rock legend. The track, clocking in at just under two minutes, is a force of rapid-fire picking and seamless phrasing. Vaughan’s Texas blues influence is evident throughout, with a raw, energetic feel that keeps listeners on the edge of their seats. His ability to infuse such intensity and emotion into a brief instrumental piece is a testament to his immense talent.

Gary Moore – “The Messiah Will Come Again”

Originally written and performed by Roy Buchanan, Gary Moore’s rendition of “The Messiah Will Come Again” on his 1989 album After The War became iconic in the blues rock world. Moore’s emotive playing and soulful interpretation of the song captivate listeners, making it a standout instrumental track. It’s truly an iconic piece of music in Moore’s legendary career.

Eric Gales – “Universal Peacepipe”

Eric Gales’ “Universal Peacepipe” is from his extremely underrated and fantastic 2010 release, Relentless. It’s a soaring instrumental and a showcase for Gales’ remarkable guitar skills and deep roots in blues rock. This instrumental features Gales’ fluid playing style, blending bluesy licks with rock intensity, creating a captivating and soulful experience. His tone on “Universal Peacepipe” is remarkable and it’s a song more people need to hear.

Paul Kossoff – “Tuesday Morning”

Paul Kossoff’s “Tuesday Morning” is an epic and emotive blues rock instrumental clocking in at over 17 minutes. The song was from Kossoff’s Backstreet Crawler album. Known for his work with the band Free, Kossoff’s expressive playing shines in this track, capturing a deep, poignant bluesy feel that resonates with listeners. Kossoff, whose career was caught short at the age of 25, was truly one of the guitar greats.

Robert Randolph & The Family Band – “Squeeze”

“Squeeze” was nominated for “Best Rock Instrumental” at the 2003 Grammy Awards. It’s a funky instrumental that combines blues, gospel, and rock influences. Randolph’s virtuosic pedal steel guitar playing takes center stage, delivering soulful melodies and dynamic solos that captivate listeners. With its foot-tapping groove and uplifting energy, “Squeeze” showcases Randolph’s unique ability to infuse traditional blues with modern flair, making it a standout instrumental.

Fleetwood Mac – “Albatross”

Released over 50 years ago, “Albatross” by Fleetwood Mac and composed by Peter Green, has an ethereal quality and haunting beauty which evokes a sense of tranquility and introspection, transporting listeners to a place of serene contemplation. “Albatross” remains a beloved classic in Fleetwood Mac’s discography, representing a pivotal moment in the band’s evolution and enduring legacy in the world of blues rock. Its smooth, flowing melody and subtle guitar work showcase Green’s mastery of mood and tone, creating a timeless piece.

29 thoughts on “10 Must Hear Blues Rock Instrumentals

  • Why not post the original by Roy Buchanan instead of Moore’s copy?

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    • Seconded. Roy’s forged a flawless diamond with that song. Give the man his due.

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      • Yeah, you are dead on the money

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    • I agree on the Roy Buchanan version. That record changed my life and made me want to become a blues guitarist. I was never the same after hearing it.

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    • Sad that Roy is kinda forgotten these days. Such a great player

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    • Because Moore’s “Copy” was so much better!

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  • Healey’s “Hideaway” is in reality a duet with the excellent Robbie Blunt.

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    • Tes, that was awesome. Jeff did some wonderful pairings while he was with us! Great answer!

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  • I am missing Peter Green’s “The Supernatural”

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    • Absolutely that is a masterpiece . Listen to the song and see where Carlos Santana got his sound. The song was recorded in 1966 on the album Hard Road with John Mayall s Bluesbrakers

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  • Really appreciate you compiling this list!! Mike Zito Blues for the Southside and Charlie Musselwhite Cristo Redempto (extended version) are also excellent instrumentals. I’d love to see your list of great instrumental albums. I’ll offer Robben Ford Tigerwalk as one you might to include. Thanks!

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    • I believe Red Lady With Cello is the standout blues rock song on the album.

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  • Roy Buchanan, Ramon’s blues
    Roy Buchanan, Matthew
    Rory Gallagher, Alexis

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    • His version of Green Onions is my favorite

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  • How about Double Whammy, Lonnie Mack and SRV. If you have Scuttle Buttin then you should have Chickin Picking. I also agree with the others for Roy’s version.

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  • How could you skip “Sleepwalk” in this list?

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  • How about “I’ll cry for you” by Y &T?

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  • Kenny Wayne Shepherd “While We Cry”

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  • No Mike Bloomfield…………Give me a. Break!!!!!

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  • Paul Kossoff’s “Time Away” should be in the list

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  • Based on your formula used to select, you could have included Ronnie Montrose’s Town Without Pity.

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  • Gary Moore “Still Got the Blues for you “

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    • “Still Got The Blues For You” – Great song, great guitar rolls, but is not an instrumental – also has great vocals.

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  • “Still Got The Blues For You” – Great song, great guitar rolls, but is not an instrumental – also has great vocals.

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  • Peter Greens Albatross touches upon the sadness that seemed to haunt his soul. The beauty of this song is beyond compare and the sorrow it hides only adds to its greatness.

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