10 Iconic Blues Rock Guitar Riffs of the 1970s
The 1970s were a groundbreaking era for blues rock, a decade where musicians pushed emotion, volume, and tone into bold new areas. Guitarists blended the soul of the blues with the power of emerging rock styles, creating riffs that still shape the sound of the genre. These iconic parts became foundational for countless players and remain essential listening for anyone who loves guitar driven music. The decade produced a level of creativity and identity that continues to influence modern blues rock artists. Here are ten of the most iconic blues rock riffs from the 1970s.
ZZ Top – “La Grange”
Billy Gibbons’ groove in “La Grange” stands as one of the most recognizable riffs in blues rock history. Built around a hypnotic Texas boogie, the riff walks a perfect line between loose swagger and pinpoint precision. His tone is gritty yet expressive, with subtle slides and ghost notes adding personality to every bar. Gibbons manages to turn a simple pattern into something unforgettable through sheer feel and attitude. The riff became a defining moment in ZZ Top’s career and helped bring Texas blues to a global audience. Generations of guitarists continue studying it to understand its deceptively simple magic.
Mountain – “Mississippi Queen”
Leslie West delivered one of the most thunderous riffs of the 1970s with “Mississippi Queen,” a masterclass in tone, simplicity, and sheer power. The opening guitar figure hits like a sledgehammer, built on chunky chords and a raw, overdriven sound that became West’s signature. His touch is heavy yet controlled, giving the riff an unmistakable authority that cuts through the mix with force. The combination of cowbell, attitude, and massive guitar tone helped turn the song into one of the most recognizable blues rock moments of the decade. West’s phrasing proves how much impact can come from a riff based on strong rhythm and impeccable feel rather than complexity. “Mississippi Queen” remains a defining example of blues rock at its loudest and most electrifying.
The Allman Brothers Band – “Statesboro Blues”
Duane Allman’s slide riff in “Statesboro Blues” redefined the role of slide guitar in rock music. His clean intonation and fluid phrasing created a sound that was both traditional and boldly innovative. The riff carries the emotional weight of Delta blues while embracing the drive and confidence of Southern rock. Allman’s tone is unmistakable, singing through the speakers with clarity and soul. This performance helped solidify The Allman Brothers Band as pioneers of improvisational blues rock. The riff continues to inspire slide players who aim to blend technique with emotional storytelling.
Derek and the Dominos – “Layla”
The opening riff of “Layla” remains one of the most iconic guitar moments ever recorded. Eric Clapton and Duane Allman crafted a twin guitar attack that combined emotional tension with electrifying energy. The cascading progression conveys urgency and heartache, capturing the turbulent emotions behind the song. Its melodic structure gives it immediate memorability, while its aggressive edge keeps it powerful and commanding. The chemistry between Clapton and Allman elevates the riff into legendary territory. It stands as one of the defining pieces of 1970s blues rock.
Joe Walsh – “Rocky Mountain Way”
Joe Walsh’s open tuned slide riff in “Rocky Mountain Way” became one of the decade’s signature guitar moments. The part hits with weight and attitude, driven by a bold rhythmic pulse that demands attention. Walsh’s phrasing gives the riff a vocal like expressiveness, allowing it to cut through with clarity and personality. Its simplicity makes it accessible, but the feel behind it gives the riff its lasting power. This track helped shape Walsh’s identity as a guitarist with both grit and musicality. It remains a staple of classic rock radio and live setlists.
Peter Frampton – “Do You Feel Like We Do”
Peter Frampton delivered one of the most recognizable riffs of the 1970s with the grooves that anchor “Do You Feel Like We Do.” While Frampton Comes Alive! turned the song into a cultural phenomenon, the core riffs were already brimming with blues infused melodic charm. Frampton’s tone is warm and articulate, showcasing his smooth phrasing and rhythmic precision. The riffs blend lead and rhythm concepts, giving the song a dynamic sense of movement. They helped cement Frampton as a major force in guitar music during the decade. The song continues to be a highlight of his catalog and a timeless example of blues rock craftsmanship.
Free – “All Right Now”
Paul Kossoff created a legendary riff with “All Right Now,” one of the most enduring songs in blues rock history. Built on a punchy chord progression, the riff blends simplicity with undeniable strength. Kossoff’s thick tone and expressive vibrato add emotion to every chord, giving the part more depth than its structure suggests. His feel and timing elevate the riff, making it both catchy and musically satisfying. The song became Free’s defining hit and a staple of rock radio for decades. Its influence continues to shape how players think about space and groove.
Foghat – “I Just Want to Make Love to You”
Foghat transformed a classic blues tune into a high volume rock staple with their riff driven arrangement of “I Just Want to Make Love to You.” The main guitar part is crunchy and aggressive, rooted in a tight groove that propels the song forward. The riff perfectly blends blues rawness with rock muscle, creating a sound that filled arenas throughout the decade. Foghat’s rhythm section adds even more weight, allowing the guitar to hit with full force. The song became one of the band’s signature tracks and a fan favorite in their live shows. The riff remains a prime example of how 1970s rock reimagined classic blues material.
Rory Gallagher – “Moonchild”
Rory Gallagher unleashed one of his most energetic and distinctive riffs of the 1970s with “Moonchild.” The opening guitar line moves with a driving pulse, combining Gallagher’s raw blues phrasing with a rock charged sense of urgency. His tone is sharp, biting, and immediately recognizable, showcasing the natural aggression and melodic sensibility that defined his playing. The riff sets the stage for one of his most dynamic performances, blending groove, speed, and emotional intensity. Gallagher’s sense of rhythm gives the part a unique forward momentum that keeps the song constantly pushing ahead. “Moonchild” remains a standout moment in his catalog and a testament to his unmatched ability to fuse precision with pure feel.
Free – “Fire and Water”
“Fire and Water” showcases Paul Kossoff’s commanding ability to craft riffs that feel both heavy and soulful. The main guitar line is bold and confident, driven by Kossoff’s thick tone and impeccable sense of space. His phrasing gives the riff a rugged, melodic quality that lifts the entire song and reflects his unmistakable musical identity. This is the second Free song on the list, and its inclusion highlights just how masterful Kossoff was when it came to creating unforgettable riffs. His approach balances raw emotion with deliberate simplicity, allowing the guitar to speak with clarity and power. “Fire and Water” stands as another example of why Kossoff remains one of the true architects of 1970s blues rock guitar.

The best riff of all comes from the riff master, Keith Richards. You needed to have him #1. Jumpin Jack Flash
Totally agree my friend keef the human riff but jumping jack flash was 1968
True that but maybe Johnny Winters 70’s cover semi qualifies, it totally rocked.
I agree -No disrespect intended towards Keith & the Stones (I like their original version too), but the opening riff on Johnny Winter’s version of “Jumpin’ Jack Flash” from the AND LIVE album is KILLER…
His openIng for Johnny B Goode on his 1970 live album was epic
Who’s that? …..Aaaaah, that guy playing guitar in that pub-cover-band.
60’s
Johnny Winter’s version blows his away!!
That song was in the 60’s though, not the 70s
Umm, you seem to have forgotten The Hollies Long Cool Woman (in a Black Dress)
🤔
I think the same thing.
I agree -No disrespect intended towards Keith & the Stones (I like their original version too), but the opening riff on Johnny Winter’s version of “Jumpin’ Jack Flash” from the AND LIVE album is KILLER…
What about Rock ‘n Roll Hoochie Koo? The ultimate rock intro.
Highway 61 Revisited on Second Winter maybe a conyender ?
Oh Well
Black Magic Woman
Peter Green’s Fleetwood Mac
I’m Coming On
I’d Love To Change The World
Ten Years After
Locomotive Breath
Aqualung
Jethro Tull
Cherry Red
Groundhog
The Groundhogs
I can keep going …..
C’mon except for Free this list is trash
Oh….. ! Rory, Allmans Leslie West ZZ Top..
Not exactly trash.
The 70’s… what about Freddie King, John Lee Hooker, Albert King, Albert Collins, Lonnie Brooks, Dr John, BB King, Stevie Ray Vaughan…to name a few I think as Blue’s guitar masters 🌹🌹🌹
Why 2 examples from Free and no mention of Thin Lizzy “Whiskey in the jar” ? How about Ritchie Blackmore on Deep Purple “lazy”. From the Machine Head album?
Robin Trower – Bridge of Sighs
Footnote: Taj Mahal’s “Statesboro Blues” (1968), with Native American Jesse Ed Davis on slide guitar inspired Duane Allman to learn to play slide guitar.
Another vote for Robin Trower, but for Too Rolling Stoned. The outro is fantastic, long and great phrasings one right after the other. No black blues rock ? No Johnny Winters? No Alvin Lee? No Cars? WT.?
I agree with the Foghat choice, but ‘Slow Ride’ (Live) was way more popular.
Jimmy page Led Zeppelin since I’ve been loving you
Parisien Walkways , Gary Moore