Chris Cain: Good Intentions Gone Bad Review

Good Intentions Gone Bad marks a pivotal moment in the illustrious career of blues guitarist Chris Cain. Despite having never quite reached mainstream stardom, the California native Cain is an accomplished, highly capable veteran who has remained a steadfast, compelling force in the blues world for over three decades and 15 full-length recordings. Enjoying a renewed interest in his music since his Alligator Records’ debut Raisin’ Cain and being championed by the likes of Joe Bonamassa and Robben Ford, Cain returns to action with a set of 13 original songs drenched in his meaty electric blues style.

Produced by Christoffer “Kid” Andersen at the renowned Greaseland USA studio in San Jose, California, Good Intentions Gone Bad opens with “Too Little Too Late”, an upbeat number that sets an energetic tone with its dynamic arrangement and catchy chorus. The rock-infused “Fear Is My New Roommate” swiftly follows, with its exquisite guitar work and galvanizing vocals making it another standout track.

“Waiting For The Sun To Rise”, on the other hand, shifts the mood and tempo with its melancholic, Chicago-styled slow blues aesthetics. The brooding, hauntingly elegant number features the kind of organ and lead guitar work that is nothing short of soul-searching. In contrast, “Still Drinking Straight Tequila” drives away the black clouds and brings a spirited shuffle to the mix. The seemingly autobiographical song is lively, fun, and rocks hard with just the amount of bite from Cain’s guitar.

Another highlight, “Blues For My Dad” is a gentle, autobiographical piece that recounts Cain’s upbringing. The laidback, jazzy outing features Cain’s heartfelt vocal delivery, tasteful acoustic accompaniment, and a sweet lead break. The album then concludes on a high note with “Thankful,” an uptempo track that exudes positive vibes. The hopeful message and upbeat energy of the song ooze with Cain’s optimism and hint at more albums from his end with the same atmosphere.

The glory of Cain’s guitar chops is in full display on the record. His playing is precise, delivering intensity without unnecessary flamboyance, and with just the right amount of notes. In that sphere, comparisons with B.B. King make sense. Cain’s style has slightly more attack but shares with King’s a dose of economical elegance and emotive inclination. Add to that Cain’s big, distinctively jagged voice, solid songwriting skills and a top-shelf performance from the backing band, and you’ve got yourself an album that offers classic electric blues at its finest.

In conclusion, Good Intentions Gone Bad is an exceptional electric blues album. It encapsulates everything great about the style, offering a collection of lyrically engaging, emotionally resonant, and musically rich numbers that tick all the right boxes for blues fans.

The Review: 8.5/10

Can’t Miss Tracks

– Too Little Too Late
– Fear Is My New Roomate
– Waiting For The Sun To Rise
– Still Drinking Straight Tequilla
– Blues For My Dad

The Big Hit

– Waiting For The Sun To Rise