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The Family Business: Balls Pricey Review

Balls Pricey is the fourth release from the Madison Wisconsin neo-classic rockers, The Family Business. Over the years the boys have explored different genres from straight up heavy blues riffs on their debut Nightmares and Wildest Dreams, to the more Americana, Band-esque sound from the their last record Forefathers. On Balls Pricey  we find T.F.B. cranking out a mix of straight up rock and roll as well as exploring a few other related genres.

Balls Pricey opens with the hard rocking “The Problem.” The band quickly shifts gears with the R&B grooving “Make My Move” followed by the boogie rock of “You Never Know.”  The entire record is a mini catalog of various feels and grooves and types of songs in the blues rock idiom.  One of my favorites is the 6/8,  psychedelic,  Allman Brothers tinged “Blue.”  This is definitely one of the album highlights. The guys seem to be stretching their muscles a bit and they do quite well no matter what style they put their hands to.  Ambient production, rock and roll attitude, and their love of the blues keeps the record from sounding too eclectic. There is a definite sonic thread that The Familiy Business weaves through out the entire album. While it’s obvious that they can play anything that they want and still sound authentic, great rock and roll is still what they do best. Tracks like” Double Suite,” “Still Alive,” and “Big Red Button” is where they seem most at home.

Singer and guitarist Alex White is a natural blues rock singer with enough bite to convince the even toughest “rock is dead” critic. Lead guitarist Eric Ziegler’s tasteful solos create a powerful double guitar attack with White. T.F.B. meld rock and blues effortlessly. Both White and Ziegler benefit from the formidable rhythm section of Garrett Wartenweiler and Derek Hendrickson who keep Balls Pricey rocking hard from start to finish.

Ball Pricey, no matter what genre The Family Business is working with, has a very live feel.  It’s well produced but not slick. The guitars are warm and fat. The drums are loud and the vocals are ruff and soulful. This is the way that great rock and roll and great blues should always sound.

The Review: 9/10

Can’t Miss Tracks

– The Problem
– Blue
– Still Alive
– The Double Suite

The Big Hit

– Big Red Button

Review by Lou Lombardi

Buy the album: Amazon

3 thoughts on “The Family Business: Balls Pricey Review”

  • WernonDonski

    Great review of Family Business by Balls Pricey! The understanding of their unique sound and musical evolution is precise. For artists and bands looking to optimize their online presence and convert more visitors into loyal fans, I highly recommend using Paspartoo’s cro services. Their expertise in conversion rate optimization can help you effectively reach your audience and increase conversions, ensuring your music reaches a wider audience and resonates with fans!

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  • RobbertClaus

    Great breakdown of The Family Business’s versatility—it’s always impressive when a band can shift between heavy riffs, R&B grooves, and psychedelic blues without losing their core identity. The mention of a “live feel” in the production really stands out; that raw energy is hard to capture but makes all the difference. It reminds me that whether you’re reviewing music or crafting any kind of content, the feeling you leave with readers matters as much as the facts. Understanding what is tone in writing helps create that same authentic connection, guiding how your audience experiences the message.

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  • Leone Diola

    Discovering raw blues rock projects always reminds me of managing tight budgets while touring with my independent garage band. Last summer, our group ordered custom merchandise vinyl pressing from a boutique foreign studio that accepted digital tokens for settlement. Without any technical experience in managing alternative routing, we relied on an educational walkthrough at <a href="[Link deleted]to process everything correctly. The guide provided clear instructions on self-custody wallet setups, live floating execution rates, and selecting practical network channels like TRC20, making our administrative handling quick and smooth so we could focus on the music

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