Joe Bonamassa announces “Redemption”
LOS ANGELES, CA, June 27, 2018: Two-time GRAMMY-nominated blues-rock titan Joe Bonamassa returns with a brand-new studio album, Redemption, which will be released on September 21st via his own Record Label J&R Adventures. As part of today’s announcement, he shares the official music video for the hard-hitting title-track single “Redemption”.
Pre-order Redemption today at https://joeb.me/2yNdc64 or also available on Amazon and iTunes. Joe Bonamassa’s website jbonamassa.com will be releasing more new music content from the Album in the weeks leading up to the street date.
Redemption, Bonamassa’s 13th solo studio album and third in a row of all original material, sees him at his most ambitious yet as he continues to redefine and push the barriers of blues-rock. It features a staggering collection of 12 songs that weave effortlessly through an assortment of genres and reflect the artistic re-birth that he is currently experiencing. “I’m going through some other stuff in my life I didn’t expect to be going through. It’s a rising, it’s contrition, it’s acceptance, it’s everything. It’s painful, but knowing that there’s a rising coming,” he explains.
The album reunites Bonamassa with some of Nashville’s finest music minds such as Tom Hambridge, James House, Gary Nicholson as well as Richard Page and American rock and roll legend Dion DiMucci (The Wanderer, Run-around Sue) whom adds his song writing expertise to the Title Track. Joe also continues his long creative relationship with Kevin Shirley and together create an album bigger than ever before. “From a Producer’s perspective, this is far and away the most challenging and diverse album that Joe has ever made, ” says Shirley.
The album was recorded at various locations including, Blackbird Studios, Nashville TN, The Cave Australia, Sydney OZ, Studio At The Palms, Las Vegas NV, Criteria Hit Factory, Miami FL and Addiction Sound Studios, Nashville TN. It was once again recorded with a remarkable collection of musicians including; drummer Anton Fig (David Letterman Band), bassist Michael Rhodes, keyboardist Reese Wynans, horn players Lee Thornburg and Paulie Cerra, harmony vocalist Gary Pinto, background singers Mahalia Barnes, Jade McRae, Juanita Tippins and Kevin Shirley introduced two additional guitar players, Kenny Greenberg and Doug Lancio. “It was interesting, because having two extra guitar players involved, allowed me to play a certain way,” Bonamassa adds.
The album opens with a tip of the hat to Led Zeppelin on “Evil Mama” that burrows into a deep groove before ripping into the rockabilly-tinged boogie blues of “King Bee Shakedown”. Next, Bonamassa dips into his Black Country Communion influence to tell a tragic tale with timeless hard rock riffs for “Molly-O” and “Deep In The Blues Again” changes the course yet again with a driving rhythm meant for the car stereo.
“Self-Inflicted Wounds” is most telling of Bonamassa’s progression as a true singer-songwriter, and Joe claims it as his best song writing yet. “Pick Up The Pieces” channels Tom Waits for a late night after hours while “The Ghost of Macon Jones” sees Joe trade vocals with Nashville country singer Jamey Johnson as they recount a cautionary tale of a rural renegade. ‘” Just Cos You Can Don’t Mean You Should” channels Gary Moore for an upbeat taste of blues-rock euphoria before Bonamassa makes light of his trials and tribulations on “I’ve Got Some Mind Over What Matters”.
Then Joe strips it down to only acoustic guitar and vocals on the heart-breaking tale of “Stronger Now In Broken Places”, which promises that things will be better over time and features Midnight Oil’s Jim Moginie providing soundscapes and Kate Stone on the hand pan. After this intense musical journey Joe wraps it all up with a traditional Blues Rock tune with “Love is A Gamble”.
There is a resounding theme of redemption and salvation on the album, but also very much a sense of strength and empowerment. “We all need to be redeemed at some point in our lives. It’s this yearning to redeem yourself after just this tremendous loss and this tremendous feeling of pain,” explains Bonamassa.
Bonamassa is at his ultimate creative peak with Redemption, which follows the recent release of his last live masterpiece, British Blues Explosion Live, that debuted at #1 on the Billboard Blues Chart and marked his 20th #1 album. Bonamassa’s fire is unstoppable both in the studio and live on the road. Joe will also be performing live on Tour this summer and Fall in North America as he debuts new tracks from Redemption as part of his live set.
Redemption is no ordinary blues album, in general, and no usual Joe Bonamassa album, in particular. Redemption is nothing less than a unique work of genius owing to the special talents of the producer and all the superlative musicians collaborating to provide truly sensational music and, I believe, unique sound. The listener can appreciate the album on a purely musical level or on a level of music theory. An underlying nexus exists amongst the songs which lifts the listener to a heightened awareness beyond simply enjoying outstanding blues. The musical motif on Redemption is truly replete with different shades of blues. The songs are absolutely pure unadulterated blues performed in a manner that cannot be duplicated by any other artist, owing to the special energy created when these artists combine their talents and are lead by Joe Bonamassa. Redemption more accurately exemplifies a complex musical dimension between point and counterpoint reminiscent of an opera or symphony, rather than a simple blues album. I suggest calling Redemption – JB’s Symphony #1 in Blues.
I just love this guy , I can’t wait to see him in London Ontario in November. This New relieve sounds great , hope to hear , I’ll play the Blues for you , John Henry also . Joe is one of a kind and very glad I found him and his music . He is at the very top of my list as my best musicians in the world .